12/29/08

The Pomegranate - Symbolism


The Pomegranate is often used in painting for its symbolic connotations, including the New Year. Some religious scholars believe it to be the forbidden fruit from the Garden of Eden.

What other objects are used pictorially for their symbolic presence?
How does anything become symbolic in modern culture? What are some examples?
Excluding the obvious - consumerism (advertising) & religion - why are 'universal' symbols important?

Click on the title for more information.

Stendhal Syndrome or the Florence Syndrome

A psychosomatic illness triggered by looking at beautiful art, or when confronting immense beauty in the natural world. The symptoms include rapid heartbeat, dizziness, confusion, and even hallucinations. Wow, I'll take a DaVinci on the rocks, and make it a double!

12/27/08

Mary and Infant Jesus


This is the first known image of Mary and infant Jesus, c. 2nd century. The fresco is located in the Catacomb of Priscilla, Rome, Italy.

A look beneath 'The Nativity,' by Tintoretto, c. 1580


Click on the title to visit a web page at Boston.com where we can see (and control) an x-ray revealing The Crucifixion beneath The Nativity. 

The Book of Kells

One of the first images of the Madonna and Child in Western manuscript, c. 800 A.D.

12/25/08

The Nativity by Giotto

Mary accepts her newborn child. Joseph appears exhausted and sits half asleep in the foreground. 

The shepherds look at the angel with gestures of awe and wonder about the unfolding events. The animals seem peaceful and quietly unaware. 

And the angel said unto them, 'Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. 
For unto you is born this day in the city of David, a Saviour, which is Christ the Lord. 
And this shall be a sign unto you; Ye shall find a babe wrapped in swaddling clothes, lying in a manger.' 
And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, 
'Glory to God in the highest, and on earth peace, good will toward men.' 

The Adoration of the Magi by Giotto


A part of Giotto's seminal works, this fresco is in the Scrovegni Chapel, Padua, Italy

12/24/08

The Adoration of the Magi


What and where are the first visual examples of the birth of Jesus and the Adoration?
How are these themes interpreted by different artists? 
If not the oldest example, this may be one of the first Adorations. The child portrayed is older than a newborn infant.
Dated from the 4th century, it's located in the Vatican.

12/20/08

Morandi



















Arguably, the most influential painter of still-life since Chardin. Link back at title above to The New York Times review by Holland Cotter of the Morandi Exhibit at the Metropolitan Museum of Art. 


12/19/08

Starry Night, Building A Virtual Painting


Watch Robbie Dingo, the avatar, build a virtual Starry Night. This is a fascinating tribute to Vincent Van Gogh. Link back to his Blog by clicking on the title above.

Nick Miller, Truckscapes, a NYSS Exhibit and Interview

  

An interesting interview with Nick Miller, Landscape Painter. He lives and works in Ireland. Click title to link back to his online exhibition at the New York Studio School. 

12/18/08

Edward Hopper


Check out this award winning web site created to coincide with his exhibit last year at the National Gallery of Art, Washington, DC.

Color Matters

An excerpt below from an entertaining and informative site about color in business, design, art, and science. Click on the title for more information. 

"Color plays a vitally important role in the world in which we live. Color can sway thinking, change actions, and cause reactions. It can irritate or soothe your eyes, raise your blood pressure or suppress your appetite.

When used in the right ways, color can save on energy consumption. When used in the wrong ways, color can contribute to global pollution.

As a powerful form of communication, color is irreplaceable. Red means "stop" and green means "go." Traffic lights send this universal message. Likewise, the colors used for a product, web site, business card, or logo cause powerful reactions."

Dimensions of Colour

A very thorough site about colour by Australian author, David Briggs. The foreword, Colour Made Difficult, stakes out the complexities of understanding color (colour!). Click on the title for more. 

12/16/08

Why is Multistable Perception Important?

Why is the previous post of any significance to the visual artist? Perhaps, it informs and reveals the mysteries of vision. It shakes us out of our assumptions, and indicates our brains are engaged in significant subconscious, conscious, basic and higher levels of thought. 

If we understand vision to be a simultaneous overlay of singular and multiple optical/brain experiences, we are better informed about the complexity of vision and the pictorial possibilities, and encouraged to deeply reflect on our work and the work of others. 

Vision = Thought

What do you think?

The Spinning Dancer


This has popped up on the Internet as a Left Brain/Right Brain "test". What direction do you see the dancer spinning? Can you train your eyes (and brain!) to reverse direction of the spin? It is possible!

Click on the title above, The Spinning Dancer, to go to off site discussion.

Multistable Perception is a term used to categorize this phenomenon. For more information: Wiki

Spinning Girl

12/15/08

Art, Design, & Visual Thinking




Click on the title above to view a well illustrated and interesting online text used at Cornell by Associate Professor Charlotte Jirousek.

Percy Principles of Art & Compostion

A site about Pictorial Composition by Marvin Percy Bartel. 

Elements & Principles of Design

The Elements and Principles of Design by Marvin Bartel.

12/12/08

Principles, Elements, & Composition - The Wiki

Principles, Elements, and Composition - the Wiki takes on these important pictorial subjects. 

12/11/08

Composition: The Invisible Technique




Link to excerpts from  the book, Picture Composition for Film or Television, by Peter Ward. The general thrust of the book is applicable and the peripheral field of film exposes the painter to fresh voices. 
Read about Orson Welles and Citizen Kane in chapter 1, Learning the Ropes


12/9/08

Expanding Links and Blog List!

Can you help me expand Recommended Links/Blog List? Find a Blog and send a Blog. Find a link and send a link. Take a look, tell me what you think, make a recommendation. 

12/7/08

Art and The Golden Section

A very useful link to explore different, and profound, means used by artists and architects over the millennia to compose. 

Drawdio - Drawing Sounds


Strange and Twisted

YouTube video about combining sounds and drawing. Cool and clever fun tool you can make from a kit.

Penn Jillette, Penn & Teller Quote

"Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, 'Now do you want the hero to be kidnapped, or not?' But that would, of course, have ruined the story. Part of the experience of being entertained (or looking at art) is sitting back and plugging into someone else's vision."

Penn Jillette (1955 - ), Interview in WIRED magazine, 1993

The Details - Leonardo's Last Supper



My experiences as a teacher and artist have consistently shown me that lack of thorough training and ongoing practice are the major impediments to success.

Yes, we feel compelled to put in details. After all, we want to make it look like something we recognize! And, we often unfavorably compare ourselves to others.

When we are beginning, we are often not certain about our personal style and pictorial content. The more successful you are at mentally separating personal style from pictorial content the better you will be able to draw and paint. This fresh thinking will remove significant barriers to your development. Not to worry - We all have these barriers and are naturally protective of anything personal.

It may help you to think of your classes as training for a big and long race - a race you have never done before. But, if you try and run the race before you're ready, you'll most likely give up out of frustration. No one gives up the race because they don't want to finish. They give up because they can't or won't.

Concentrate on what we have talked about in class and attempt to fully master these concepts and precepts through practice. Mastery means the concepts and precepts are fully digested within you and are visible in your drawings and paintings.

Your beginning requires full participation and commitment. Be curious and passionate about what you do. You must remain committed, give yourself time, and train daily to build up for the event! Think back in time. How long did it take you to learn to write and write really well? Good writing is a lifelong process. Good painting is a lifelong process, too.

After several months as you begin to master this new language your personal expressions will emerge more forcefully than ever before. You'll start to understand and see the results of your commitments.

Edgar Degas said, "Painting is easy when you don't know how, and very difficult when you do."

A New Beginning

This is my attempt to start a long over-due blog again. I hope to develop useful content for my students and other interested reader/viewers.