Showing posts with label Van Gogh. Show all posts
Showing posts with label Van Gogh. Show all posts

12/12/10

Van Gogh - Tilt Shift Photography


Source: "Painter On His Way To Work". Oil/Canvas, Van Gogh, 1888


"The visually stunning field of tilt-shift photography became a fairly big thing in the Web a couple of years ago. It uses a special lens that gives a real-world scene the illusion of being a miniature model. You've probably seen examples by now, but if not then see the "Credits" page for links to some breathtaking examples.

The effect can be simulated in Photoshop, by adjusting a photograph's contrast, colour saturation and depth of focus. It works quite well with regular photographs, so we decided to try it using paintings to see what would happen, and it turns out that the works of Vincent van Gogh in particular make excellent subjects for this kind of treatment. Following is a slideshow of 16 awesome photo-manipulations based on some of van Gogh's most moving and powerful paintings. To see the original paintings unaltered, go to the "Credits" page.

To reiterate: Nothing in any of these paintings been added or removed or had its proportions changed. The effect is achieved simply by manipulating the light in the scene and adjusting the areas of the image that are more and less in focus, as you will see.

This is all being done in fun, so don't take it too seriously. But having said that, we're pretty sure you will discover several paintings you've never seen before, and stumble across some previously unnoticed details in the works you think you know well. Enjoy!"   - Artcyclopedia
Link Artcyclopedia

2/5/09

The Double Square and Van Gogh


Vincent Van Gogh

The first pictorial decision painters make is to select the material, shape, size, and color of the surface. If it is a rectangle, the second pictorial decision is about format. Do I position it on the short or long side and why? The third pictorial decision is about where the first mark and subsequent marks go and how their interaction activates and divides the rectangle. The overarching issue is how these decisions detract or contribute to the expression of the painting.

Van Gogh used the double square extensively. Why did he use this shape, and what compositional challenges did face by using this particular shape and format?

Link Double Squares, Wiki